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[av_heading heading=’A red
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In his uncle’s old house, all in sober tones, one room stood out. All the walls were painted red. Old paint, apparent in several peeling layers. That strong, vibrant contrast aroused an interest in the different, in the colorful, in the vibrant. His family, all from Italy, bordering Austria, has always been very connected to art. His uncle, Enrico De Cillia, always devoted himself to painting, becoming known as the “painter of the Karstic”, for having chosen the lyrical landscapes of Treppo Carnico, his native land, as inspiration.
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With the DNA of painting in the family, R.Copiz always liked to paint. In parallel with school, he began to study drawing at the age of 10, dedicating himself to artistic representations of all those who were willing to pose for a portrait. On windy days, he collected the large leaves that fell from the palm trees on Rambla de Pocitos to transform them into expressive sculptures.
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In his early twenties, he joined the Escuela Nacional de Bellas Artes in Montevideo, Uruguay, where he improved his technique and developed a taste for the abstract, conceiving the artwork as a line of communication between the artist and the world: an invisible truth. made visible. Adult obligations, the desire to undertake and the frenetic pace of modern life slowed down his artistic production, but never stopped his creative impetus, the mission to absorb all beauty, wherever it was found. Now, in a new moment, R.Copiz has rediscovered and reinvented himself.
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In his studio, in the company of a good wine, he expresses his emotions through painting, resulting in intense canvases of large dimensions, loaded with affective memory. His abstract work takes advantage of different techniques and substrates, creating fluid lines, reactions between materials, even allowing gravity to give the work its shape. His paintings are composed of several layers of paint, each creating its own surface, open to the viewer’s interpretation.
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In his studio, in the company of a good wine, he expresses his emotions through painting, resulting in intense canvases of large dimensions, loaded with affective memory. His abstract work takes advantage of different techniques and substrates, creating fluid lines, reactions between materials, even allowing gravity to give the work its shape. His paintings are composed of several layers of paint, each creating its own surface, open to the viewer’s interpretation.
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